You getting the best out of a suspended subchassis turntable is no trivial Turntables, including a total rebuild of a thrift store Sonab, and I can tell I've spent years fiddling with, modifying and tuning suspended subchassis People have commented how as one it sounds, its difficult to upgradeĪs I'd probably end up changing at least half of it. In my case a fairly humble system but it works together well, a few HiFi Tuntables only work very well in a very well matched HIFi system, What I try to understand is why some –supposed “less accurate”- turntablesīring me a more enjoyable sound with my “low fi” records. I will never say the Linn is bad sounding, and it certainlyĭo wonders with audiophile records (I am afraid I will never have any), but ĭespotic-Mind wrote: understand your explanations concerning the quality of the records and the First be sure your turntable is alright, let a capable audio-man, who understands turntables, have a look at your Linn, listen to it, test it against other turntable. It's a play between: cartridge, turntable, cables*, amplifier, loudspeakers + room acoustics.Įven the foundation your table is on is important.
You don't have to listen to it on a 1200 or so.Ĭheck out your system set-up, because what I know music isn't just your turntable. It is just scary how cool the music sounds on a high-end system, so I can see what you are liking to achieve. I listen myself to Ed Rush & Optical, Motorbass, Chemical Brothers and more so anyone who say club music etc is bad produced or such don't know anything. Any good recordplayer will reproduce music that is listenable, whether classical, pop, heavy rock, dance, techno, drum+bass etc.
Even with a Linn you should have decent bass sound.
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